Showing 5 search results for "Iran"

Filmmaker Jafar Panahi and actress Behnaz Jafari travel to the rural northwest of Iran after receiving a plea for help from a girl whose family has forbid her from studying acting in Tehran. Amusing encounters abound, but they soon discover that the local hospitality is rivaled by the desire to protect age-old traditions.

Drawing from the true story of the government's attempted 1995 murder of several prominent writers and intellectuals, Rasoulof imagines a repressive regime so pervasive that even the morally righteous are subsumed or cast aside.

Internationally acclaimed director Jafar Panahi (This is Not a Film) drives a yellow cab through the vibrant streets of Tehran, picking up a diverse (and yet representative) group of passengers in a single day. Each man, woman, and child candidly expresses his or her own view of the world, while being interviewed by the curious and gracious driver/director. His camera, placed on the dashboard of his mobile film studio, captures a spirited slice of Iranian society while also brilliantly redefining the borders of comedy, drama and cinema.

This clandestine documentary, shot partially on an iPhone and smuggled into France in a cake for a last-minute submission to Cannes, depicts the day-to-day life of acclaimed director Jafar Panahi (Offside, The Circle) during his house arrest in his Tehran apartment. While appealing his sentence - six years in prison and a 20 year ban from filmmaking - Panahi is seen talking to his family and lawyer on the phone, discussing his plight with Mirtahmasb and reflecting on the meaning of the art of filmmaking.

Dr. Jamsheed Akrami is a scholar of Iranian cinema. A former editor of Iranian film magazines, he has published extensively, presented numerous lectures, curated film series, and produced a number of films, including the feature-length documentaries The Lost Cinema, on political filmmaking under the Shah, and Friendly Persuasion, on Iranian cinema after the 1979 revolution. The films were screened in international film festivals and enjoyed theatrical runs and television screenings in US and Canada.  A Cinema of Discontent completes Jamsheed Akrami’s trilogy on Iranian cinema.