Showing 28 search results for "Film and Media Studies - Cult"

Safe...Not Sorry

Safe...Not Sorry

Director: (various)
Year: 1946

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How to be a Woman

How to be a Woman

Director: (various)
Year: 1955

As the daughters of the baby-boom reached adolescence, American schools struggled to educate them on matters of sexual and social development. This fascinating collection contains films on wide-ranging topics as such as the reproductive system, cooking skills, self-defense, and how to appear more pleasing to others.

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Live Like a Cop Die Like a Man

Live Like a Cop Die Like a Man

Director: Ruggero Deodato
Year: 1976

Never before in film history have we seen such nihilistic and pathological behavior from protagonists, who in this film happen to be two policeman: Alfredo (Marc Porel) and Antonio (Ray Lovelock) members of an anti-crime squad who shoot down their assailants even before they have committed a crime.

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The Forbidden Room

The Forbidden Room

Director: Evan Johnson, Guy Maddin
Year: 2015

From Guy Maddin and Evan Johnson. A never-before-seen woodsman mysteriously appears aboard a submarine that's been trapped deep under water for months with an unstable cargo. As the terrified crew make their way through the corridors of the doomed vessel, they find themselves on a voyage into the origins of their darkest fears. Cast includes Geraldine Chaplin and Charlotte Rampling.

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Psychopathia Sexualis (R-Rated)

Psychopathia Sexualis (R-Rated)

Director: Bret Wood
Year: 2006

Psychopathia Sexualis is a dreamlike depiction of turn-of-the-century sexual deviance, from the pages of Richard von Krafft-Ebing's notorious medical text. Director Approved R-Rated Version.

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Dog Days (unrated)

Dog Days (unrated)

Director: Ulrich Seidl
Year: 2001

In the sweltering heat of suburban Vienna, six characters ranging from an erratic hitchhiker to a fading beauty queen play out a sweaty pageant of sadism and sexual deviance. With an assured knack for capturing the verisimilitude of domestic terror, documentarian Seidl has made a fiction feature debut whose slowly burning fever cannot fail to register.

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I Can See You

I Can See You

Director: Graham Reznick
Year: 2008

When the three-man staff of a boutique ad firm trades their Brooklyn home base for a rural backwater campsite, a classic "city slickers in peril" scare-film set-up is reborn. But in I Can See You, Graham Reznick's "surprising horror debut" (Village Voice), nothing is what it seems for even the blink of an eye.

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Killer's Moon

Killer's Moon

Director: Alan Birkinshaw
Year: 1978

An important film in the evolution of “video nasties” (especially violent films that brought about stricter censorship in the UK in the early 1980s), KILLER'S MOON sets a quartet of drug-addled psychopaths against a group of vacationing schoolgirls.

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The Death Kiss

The Death Kiss

Director: Edwin L. Marin
Year: 1932

Bela Lugosi stars as the head of a struggling studio, who tries to contain a scandal after an actor is killed during the making of a film. While the police investigate the deepening mysteries within the studio, a quick-witted screen- writer (DavidManners) decides to solve the crime himself, in order to clear the picture�¢ï¿½ï¿½s leading lady(AdrienneAmes) from suspicion.

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The Hills Have Eyes Part 2

The Hills Have Eyes Part 2

Director: Wes Craven
Year: 1985

The Hills Have Eyes Part 2 (1985) is director Wes Craven's notorious and bloody sequel to his 1977 horror classic. Two survivors from the original, Bobby (Robert Houston) and Rachel (who changed her name from Ruby, played by Janus Blythe), now own a dirt-bike team, whose first race will be held in the same desert from which they escaped death eight years before.

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