Better known as the rotund half of the classic comedy duo Laurel and Hardy, Oliver Hardy had an early career as a silent comic, often as a "heavy" in madcap supporting roles. This new collection celebrates one of the great geniuses of silent comedy.Learn more
16 classic Keaton shorts from 1934 to 1937 that pay homage to his brilliant earlier comedic work in an era when sound was becoming prevalent over the film industry.Learn more
A brilliant historical satire teeming with inventive flourishes, Buster Keaton's THREE AGES is a silent comedy of truly epic proportions. This clever parody of D. W. Griffith's INTOLERANCE follows Buster's hard-luck romantic adventures throughout world history: form the dawn of man in the Stone Age, through the gladiatorial arenas of Ancient Rome, to the city streets of the American Jazz Era. New restoration from Lobster Films coming soon to DCP!Learn more
Filled with a colorful cast of supporting characters and a number of gracefully executed dance sequences, THE FAIRY is a whimsical tale about the happiness that can be squeezed out of even the most mundane of lives.Learn more
THE SAPHEAD was instrumental in establishing Keaton as a bona fide star and greatly influenced his formulation of the Buster persona: a lonely, stone-faced soul thwarted by circumstance yet undauntedly resourceful and indefatigable in his struggle for love and survival within a chaotic world.Learn more
Consistently ranked among the greatest films ever made, Buster Keaton's THE GENERAL is so brilliantly conceived and executed that it continues to inspire awe and laughter with every viewing. This Kino Ultimate Disc Edition was mastered in HD from a 35mm archive print struck from the original camera negative.
Rejected by the Confederate army and taken for a coward by his beloved Annabelle Lee (Marion Mack), young Johnny Gray (Keaton) is given a chance to redeem himself when Yankee spies steal his cherished locomotive. Johnny wages a one-man war against hijackers, an errant cannon and the unpredictable hand of fate while roaring along the iron rails. "Every shot has the authenticity and the unassuming correct composition of a Mathew Brady Civil War photograph," wrote film historian David Robinson, "No one - not even Griffith or Huston and certainly not Fleming (Gone With the Wind) - caught the visual aspect of the Civil War as Keaton did." New 2K restoration by Lobster Films coming soon!Learn more